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The Sushant Singh Syndrome

Sushant Singh Rajput was a ‘Quintessential Outsider’ born as a smalltown boy from Bihar with big dreams, big talent and grit to not toe the line.

Shweta Shalini

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A lazy Sunday was rocked by the news of the young 34-year-old talented Sushant Singh Rajput’s death allegedly by committing suicide, as confirmed by the early reports of the police. As the news spread, sympathies poured in from different corners of the world on social media, TRPs of media channels flew with theories and counter-theories on conspiracy and the dark secret gallows of Bollywood. It also opened up a Pandora’s box for mental health discussions and the need to address depression.

Research suggests that stereotypes about mental illness often stop people from speaking out or seeking treatment. Incidents like these spark the conversations of four main kinds: One that empathises; second that questions; the suggestive third that talks about “keeping in touch” and “asking for a hug”; and the important fourth that is driven by the missing carbohydrates in the proteinbased fad diets of the millennials.

Data shows that in the UK and the US 80% of the suicides are caused due to depression but the demography in India shows a different story. Suicides in India are impulsive. To quote Dr Soumitra Pathare, who drafted India’s mental health law, “Half the suicides in India do not have a diagnosable mental illness.” In fact, a deeper study shows that in India suicide victims are more distressed than depressed.

Albert Camus had once said, “There is only one really serious philosophical problem, and that is suicide. Deciding whether or not life is worth living is to answer the fundamental question in philosophy. All other questions follow from that.” Everyone answers the question in his way.

Hence, my take is that change in the ecosystem and the community you belong to at large are the key interventions required to tackle suicides as a whole. That drives us down to Bollywood and how the ecosystem is responding to carve heroes out of the ordinary and reject the “unfit”. Only the unfit more often are the talented, hardworking outsider.

This is what I call the “Sushant Singh Syndrome” — the Quintessential Outsider who was a smalltown boy from Bihar with big dreams, big talent, and grit to not toe the line. He had everything from the outside — dreams, success, money, women and future — yet, for everyone else in the industry he was a crossover, a television star who did not belong to the world of movies.

I have been an outsider to the field of politics and can vouch for the fact that as an outsider you only have two choices: one to follow the rules set by the nexus of settled, nepotism-driven dominant cartels, or be an outlier creating a distinct personal-spiritual path of success. The second, however, needs immense strength of mind and body and an attitude to accept failure, because that comes often and fast.

Though what I call as the Sushant Singh Syndrome is relevant for nearly all sectors — politics, construction, businesses but Bollywood stands out because stars are always under incessant media and public glare. Failure usually comes as a lifelong stamp and success and fame have a price tag that includes a great body, expensive lifestyle, party invites, and social acceptance.

The Bolly-Nexus consists of 50-year-old production houses, PR firms, paparazzi, financiers, distributors, and elite families that have ruled the city of dreams for years. Any “Outsider” that tries to fit-in, relying merely on talent, is an outcast and reminded time and again of his “unbelongingness” to the fraternity.

 One of the counter-reactions to this debate is the acceptance of various socalled outsiders, the King Khan who in all sense is the breakout superstar of all times, or Akshay Kumar, or for that matter Sonu Sood.

Follow their journeys closely and you will find out how they became a part and parcel of the nexus and secured their seats to gain their powers to veto. Unfortunately, from casting to counting crores at the box office is governed by this nexus.

Creating barriers of entry for competitors is a longdrawn management principle; it is when unfair means are used to curb competition — cartels are formed. The Ravishing Divya Bharti fell prey to the same nexus that first celebrated the uprising and then witnessed the downfall of Jia Khan. But we have seen a few survivors too: Priyanka Chopra who saw a fallout with the nexus created a distinct niche path for herself which left even the privileged in awe of her. Many others have kept a safe distance from this nexus but had to create parallel production and distribution channels. The Shetty-Devgan pair has been a good example of this. Most, however, try to either fit-in or keep them in good humour.

Sushant was a simple young man; he was an engineer who had dreams and plans beyond films, his bucket list included sending underprivileged children to NASA; his assets apart from a Maserati included a telescope; his memorable acts apart from playing M.S. Dhoni included playing a Samaritan who a donated a sum of Rs 1 crore for the Kerala floods.

He was hugely successful in the eyes of the segment he came from who saw him rise from nothing to the top, but could not audition his way to the privileged class.

The story of Sushant Singh Rajput is over but the show will go on. The curtains have been drawn on the struggles of another outsider but the Sushant Singh Syndrome will stay on and haunt others like him who want to make a mark but does not fit in.

The author is a politician, entrepreneur, tech enthusiast, blogger, columnist, TEDx speaker, SDG and government policy expert.

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VIT-AP University felicitates 25 unsung heroes

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On the occasion of 73rd Republic Day Celebrations on Wednesday, VIT-AP University felicitated APSRTC driver O. Madhu, APSP Police Constable K. Srinivasa Rao was honoured posthumously, 10 fire services personnel, Two RTC Drivers and Conductor,12 Policemen for saving the lives of people by discharging their duties diligently.

A.S. Dinesh Kumar, Joint Collector, RB&R, Dr S.V. Kota Redddy, Vice Chancellor, Dr C.L.V. Sivakumar, Registrar, Dr Anupama Namburu, Dy Director, Student Welfare, along with Unsung Heroes.

A.S. Dinesh Kumar, Joint Collector & Addl.District Magistrate, Guntur Dist. unfurled the national tricolour and presented the award winners with certificates of appreciation and rewards for their services. He also handed over free Laptops to the Students of 2021 batch of Support The Advancement of Rural Students (STARS) programme on this occasion.

During his address by reminding Service to humanity is service to God. Lauded university authorities for choosing to Re-public Day & Independence Day felicitating Unsung Heroes in remembrance of the selfless service to the humanity under University Social Responsibility. He also enlightens the constitutional & moral values. All 23 members received these awards and reward of Rs. 20,000/- each. Vice Chancellor Dr. S.V. Kota Reddy, Registrar Dr. C.L.V. Sivakumar, Dr. Anupama Namburu, Deputy Director student welfare family members of unsung heroes, faculty, students and staff were also present.

LIFE SAVING AWARD:(APSRTC)

O. Madhu was behind the wheel of Tirupathi to Tirumala APSRTC bus on 10th May 2021. He suffered from severe heart attack. Even while sustaining cardiac pain carefully parked the bus on the roadside at Kapilatheertham (Near Alipiri) then he was taken to SVRR hospital, Tirupathi and declared dead. There were 8 passengers on the bus, who would have met with serious accident if not for Madhu’s quick thinking even in the throes of cardiac arrest. His wife O.Premala received award and reward of Rs. 25,000/-

G.Ravi sekhar, Bus Conductor whose hand was fractured as bus fell into Jalleruvagu and ten passengers including driver died and 26 passengers injured. He saved five passengers by breaking the window glasses and lifting them through the windows.

M.Srinivasulu, Driver of Tirupathi to Tirumala APSRTC bus observed dust, smoke and falling of big boulder rocks duly damaging the road and barricades. He immediately reversed and stopped the bus, alighted 28 passengers safely from the bus duly alerting them to go back and also alerted other vehicles.

ANDHRA PRADESH STATE DISASTER RESPONSE FORCE

Eleven Policemen includes One Home Guard, Four Police Constable, Two Head Constables, Three Inspector of Police and One SDPO received these awards and reward of Rs. 20,000/- each.

K.Srinivasa Rao, PC working in 5th Batallion, APSP deployed to Nellore Dist. Due to heavy floods reported before the RDO, As per instructions SDRF team reached Damaramadugu village for rescue operational duties. Team saved 10 family members. SDRF team tried to rescue another two members struck in floodwater near mosque. At that time K.Srinivasa Rao life jacket was accidentally hooked with unknown object into the water and drowned into water. SDRF team taken him to Butchireddypalem Govt. Hospital and was declared dead. His wife K. Suneetha received award and reward of Rs. 25,000/-

Head Constable V.Nagaraju & D. Ganesh Police Constable saved Golli Vidyasagar from his suicide attempt at Pillar No.70, Prakasam Barrage, Krishna river. They observed and rushed into the spot quickly by boat and saved him as alive by using proper throw bag and waterman ship techniques and pulled him into the boat and given medical first response and counselling given.

K.Ravikumar, Head Constable and Police constables R.Ramanjaneyulu, P.V.Ramanaiah, G.Mohan Bhaskar after receiving the information from MRO chittor regarding 31 people

Struck up in the floodwater at veerabhadra colony 24 member SDRF team reached the spot and swimmed into the heavy floating water with the help of ropes and lifeboats and saved 31 members who are in danger drowned. In this operation, these four (4) personnel have done outstanding performance of their duty.

V.Sureshbabu, Inspector of police rescued and saved the life of women and two of her children who tried to commit suicide at polavaram canal water.

Tammisetty Madhu, Inspector of police has shown sincere, exhaustive and intellectual effort saved six (6) persons rescued from collapsed house.at Kadiri town.

K.Ravimanoharachary, SDPO, Angadi Sadiq Ali, Inspector of police saved a family consisting of six members whose res-idence was situated amid elevated riverbed of Gargeya during NIVAR cyclone who strived for 18 hours and finally by adopting risky crane and can cradle idea when their lives in danger as heavy rains lashed Piler, Chittor District.

S.Papa Rao, Home Guard, Visakhapatnam city saved 5 persons came to the beach bathing from Malkapuram and One dead body moved to KGH, Visakhapatnam.

RESCUE SERVICES AWARDS: (AP STATE DISASTER MANAGEMENT & FIRE SERVICES)

A total of ten fire personnel rewarded with Rs. 20,000/- each for their commendable rescue services.

T.Rambabu, firemen, Kotabommali fire station exhibited excellent service in serious fire call where number of unskilled labour were trapped in the processing unit of Sri Sai Vardhana Jute Pvt. Ltd. Due to mechanical heat. Being the first re-sponder he opened the passages t the trapped workers with the available equipment and saved their lives. He offered unblemished firefighting efforts to douse the flames which saved Rs.6 crore property in the industrial premises.

G.Adinarayana, leading firemen exhibited his professional skills in the Major Fire accident occurred. due to Electric Short Circuit emanating smoke and flames from the Electrical Board at Maharaja Central (Covid) Hospital, Vizianagaram At the time, Nearly 50 members both Corona patients and attendants were in the Maharaja Central Hospital, Vizianagaram During the mid-night, he who led the standby team at Maharaja Hospital was notices Fire accident initially and alerted crew members and rushed to the Fire spot within seconds along with Fire vehicle and extinguished Fire using Dry Chemical Powder. As his timely action the Fire was comes under control within few minutes and he taken necessary steps not spread to others rooms. As his efforts there are no causality and minimise fire loss and saved valuable property worth of Rs. 49,80,000/- i.e., medicine and oxygen cylinders which are essential at that time for COVID patients as well as saved public lives.

S.Koteswara Rao, Firemen, Sabbavaram firestation, Visakhapatnam exhibited professional skills in a major Fire Accident occurred at Birla Junction, Murali Nagar, Visakhapatnam on receipt of the fire message the fire units of Marripalem Fire station along with its crew immediately rushed to the fire spot and extinguished the fire efficiently without spreading to the surrounding area and saved the property worth of Rs.90,50,000/- It was remarkable service rendered by him.

Jeeri Srinivasa Reddy, Station Fire Officer, Anaparthi Fire Station, East Godavarai District exhibited excellent performance in emergency call where one person named Revuri Venkata Ramu aged 50 years was travelling on Motor bike following back side of van carried carbon dioxide cylinder load from Sampath Nagar village to Yanam suddenly blast of Carbon dioxide cylinder load at Z. Medapadu Bridge, Near Essar petrol bunk, Mandapeta mandal, East Godavari district. The Carbon dioxide cylinders spreaded on the road and one cylinder hit the person wearing helmet and fell down from the vehicle and seriously injured and sent to hospital in police jeep.

Srinivas Dayam, Fireman, Nidadavole Fire Station, West Godavari District exhibited excellent performance in major Fire Call at railway wagon box with coal goods, Railway Station, Nidadavole. He exhibited his performance with greater operational skills in controlling the major fire. The timely action rendered by him as a Fireman by applying his skills in the fire spot to control the fire and saved the property with value Rs.70,00,000/-

Valavala Sriramamurthy, Leading Fireman, Hanuman Junction Fire Station, Krishna District exhibited excellent work in extinguished the major Fire accident that took place on 01.12.2021 at 8.00 hrs at Mohan Spintex India Ltd, Remalle Village, Bapulapadu Mandal, Krishna District. In which Mohan Spintex India Ltd are involved in the fire accident and thus saved the surrounding property Rs. 140,00,00,000 He saved surrounding property with his timely action without any casualties. The fire accident was created a terrible situation around the industry with blowing flames and dense smoke and restricted to extend the fire to the beside buildings, machineries and yarn and cotton godowns.

B. Sam Prakash, Leading Fireman, Tirupathi Fire Station, Chittoor District exhibited excellent skills in the rescue operations took place at Yashoda Nagar area which was fully covered with flood water and saved the persons struck in the heavy stream of water. He rendered good work along with his team in the rescue spot and rescued the victims safely brought out from the flood water by using life buoys, Life jackets and ropes. He always shown devotion to his duties and rendered excellent service to the public in times of emergencies.

K. Giridhar, Leading Fireman, Chittoor Fire Station, Chittoor District exhibited excellent skills in the rescue operations took place at Punepalli, Penumuru, Chittoor District in which a woman while crossing the heavy steam of water accidentally stroked in the floating water. He rendered good work along with his team in the rescue spot and rescued the victim safely brought out from the heavy stream of water by using life buoys, life jackets & ropes. He always shown devotion to his duties and rendered excellent service to the public in times of emergencies.

D. Obula Reddy, Leading Fireman, Dharmavaram Fire Station, Anantapuram District exhibited excellent skills in the rescue operations took place at Chitravathi River near Veldurthi Village, Chennekothapalli Mandal, Anantapuram District where a car with 4 passengers are struck in the flood water. The station Fire Officer, Dharmavaram and crew tried to rescue the 4 members with the help of ropes, Life Jackets, Life Buoys and JCB. He ren-dered good work along with his team in the rescue spot and rescued the victims safely brought out from the flood water by using Life buoys, life jackets, ropes and JCB. He always shown devotion to his duties and rendered excellent service to the public in times of Emergencies.

O Narendra Kumar, Fireman, Rajampet Fire Station, YSR District, Kadapa exhibited excellent skills in the rescue operations took place at Hemadripuram Village, Rajampet Mandal, YSR Kadapa District where a private bus in which 36 passengers were caught in the food water, and the bus was drowning slowly and the crew approached the bus, tied the bus with one end with ropes and rescued the passengers within the help of ropes, life jackets and Life buoys. He rendered good work along with his team in the rescue spot. He always shown devotion to his duties and rendered excellent service to the public in times of Emergencies.

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180 artworks shortlisted for 2022 CIMA awards

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Centre of International Modern Art (CIMA), in collaboration with the Art & Heritage Foundation, is delighted to announce the fourth edition of the highly anticipated CIMA Awards. The CIMA Award will be a triennial event to recognize excellence in the visual arts and discover genuine talent in India, especially beyond the cities. This event is open to all artists between the ages of 25 and 45 years and are residents of India only, trained as well as self-taught. The winner of the CIMA Awards receives:

• CIMA Award: 5 lakhs, a trophy and a solo show within two years of winning the award.

• 1st Runner up Award: 3 lakhs and a trophy.

• 2nd Runner up Award: 2 lakhs and a trophy.

• Two Special Jury Awards: 1 lakh each and a trophy.

• Two Special Mention Awards: 50,000 each and a trophy.

• Four Merit Awards: 25,000 each.

• Director’s Choice Awards: 25,000 each.

The works are selected through a two-tiered jury system comprising a Preliminary Jury and a Final Jury. The preliminary jury will shortlist artists for CIMA Awards Show while the final jury will select the awardees. Qualities such as creative excellence, originality, creative use of materials and presentation are among some of the criteria to be considered.

This year, 180 artworks from across the country have been shortlisted for the final round by the preliminary jury comprising Shreyasi Chatterjee, Samir Aich, Chhatrapati Dutta, Veena Bhargava, Pankaj Panwar, Tapas Biswas, Akku, Ajit Seal, Ramendranath Kastha and Aveek Mukherjee.

CIMA Awards has been designed as one of the most definitive and exciting events on Indian visual art. It is an award centric project, aiming to reward and promote excellence and enhance creative freedom. Each edition of the CIMA Awards gives almost 200 artists a chance to meet the doyens of the Indian art world and present their works to them,” says Rakhi Sarkar, director of CIMA. The 2022 CIMA Awards will be accompanied by the CIMA Awards Show. This year the entire collection will be featured at two venues in Kolkata—CIMA Gallery and GEM Cinema from 5 to 27 February 2022

CIMA opened in 1993 and quickly became one of the premier art galleries in India with 11,000 sq. ft. of state of the art gallery space in Kolkata. The aim is to recognise and reward young artists from across India for their talent and creativity.

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INDIA ON WAY TO REDUCE INFANT MORTALITY RATE

Need of 5-6 centres of excellence for care of children with congenital heart disease in different parts of the country: Prof. V. K. Paul

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The United Nations Sustainable Development Goals 2030 (UN SDG 2030) mandates India to reduce its Infant Mortality Rate (IMR) from the existing 29 per 1000 live birth to 12 per 1000 live births by 2030. With increasing affluence of society and improving Quality of life index (QoLI), and as Infant Mortality Rate (IMR) starts approaching 12-15, congenital heart disease becomes the commonest contributor to the Infant Mortality Rate (IMR) in that society. Provinces of Kerala (IMR, 9), Tamil Nadu (IMR, 17) and a part of the Himalayan region are already experiencing this phenomenon. Gradually and ultimately, the same will be followed by all other provinces of the country with improvement in their socio-economic status.

United Nations Sustainable Development Goals 2030 (UN SDG 2030) mandates India to reduce its Infant Mortality Rate (IMR)

Thus, it has been realized that IMR, as mandated by the UN SDG 2030, can only be reduced by improving survival of babies with congenital heart disease. It calls for development of pediatric cardiology, pediatric cardiac intensive care, pediatric cardiac surgery, pediatric cardiac anaesthesia and pediatric cardiac radiology services specifically dedicated and committed towards children.

Accompanying two pictures are evidence of poor state of affairs as far as congenital heart disease is concerned in the North.

Realising these hard facts, Prof. V. K. Paul (member of Niti Aayog, and a Pediatrician himself) expressed the need of 5-6 centres of excellence for care of children with congenital heart disease in different parts of the country in the inaugural address of annual conference of Pediatric Cardiac Society of India.

In the North, we cannot have a better place than Chandigarh to establish such a center of excellence (within the PGI fold).

Increasing legal age of girls’ marriage to 21 year is a social intervention to reduce Infant Mortality Rate (IMR).

Creating a center of excellence for children with congenital heart disease will be an executive intervention for the same.

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You need to have a social media presence to build a brand: Anshuman Sharma

In an exclusive interview with NewsX with NewsX Influencer A-List, Anshuman Sharma opened up about his viral videos, his association with the music industry, his latest projects and much more.

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Music and comedy influencer Anshuman Sharma joined NewsX for an exclusive interview as part of NewsX Influencer A-List. In the candid chat, Anshuman opened up about his viral videos, his association with the music industry, his latest projects and much more.

Speaking about his viral videos on Ritviz, Badshah and others, Anshuman said, “I used to make fun stuff on Instagram like dialogue remixes and stuff. There was this dialogue remix that I made on someone that kind of sounded like Ritviz. People were tagging Ritviz in the comments. I listened to his music and then I realised that I do kind of did sound like him. There were already these videos already on the Internet by International YouTubers, who showed people on how to make a Micheal Jackson or Drake song in 2 minutes. I thought why not do it with Ritviz since I already know how it sounds. I could just create a track and put a video on it. It got a million views on Twitter and 2 million on YouTube.”

Talking about his association with the music industry and the songs he’s working on right now, Anshuman said, “I have been working with Salim Suleman. I have done a couple of background music tracks along with them. I did background music for Coolie No 1, which we featured Varun Dhawan. I did Disco Dancer 2.0 featuring Tiger Shroff. They recently released an album called Bhoomi, so I did various songs in that album including one for Sunidhi Chauhan and one for Sukhwinder. Those are folk songs mixed with Jazz, so I have been working on stuff like that.”

Sharing how his journey with Salim Suleman started, Anshuman said, “I used to put videos of me playing the keyboard on Instagram. I sent some of those videos to various composers like Vishal Dadlani, Salim Merchant and AR Rahman. Luckily, Salim Merchant saw my video and my DM. He followed me back and he said it is great. After 2-3 months, I was going to do MBA but then somehow I decided that MBA is not for me. I decided to message Salim Merchant and asked if I could intern with him. He said yes. I left everything and just went for it.”

When asked about making spoofs on artists and if he ever contemplates about not making them fearing it might hurt somebody and hamper his future prospects, Anshuman responded, “There is never a conflict because I don’t try to bring them down. I keep it as less offensive as I can. It is basically just picking out certain things from their music and telling people that this is mostly this type of stuff that they have been doing and present it in a fun way. I don’t make fun of them.”

On the new trend on having a social media presence to build your own brand, Anshuman commented, “If I take examples of songs, a lot of songs are hit songs but people don’t know who made them, unless it is a big composer. In order to tell people that, you need to build a brand and you need to have that social media presence. Once you have a following, they will know who you are and your songs would have better chance of becoming hit songs.”

Check out the entire interview on NewsX YouTube:

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When I started, the goal was not to become a social media influencer: Vishnu Kaushal

In an exclusive interview with NewsX as part of NewsX Influencer A-List, Vishnu Kaushal spoke to us about his journey to become a social media influencer, having an alternative career plan and much more.

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Disrupting the Internet with his comedy and style videos, Vishnu Kaushal joined NewsX for a candid chat as part of NewsX Influencer A-List. In the exclusive conversation, the comedy content creator spoke to us about his journey to become a social media influencer, having an alternative career plan and much more.

Talking about his journey of becoming a social media influencer, Vishnu said, “I am 24 right now. I started making videos in 2013, which makes means when I was 16. I did not have the idea of short form content back then or all those things. When I started, the goal was not to become a social media influencer. It was to become a creator and make a living while creating and doing something I loved. That was just the goal. However, it took me a while. I made videos for 4.5 years without getting any sort of recognition or virality. I gave up the idea of doing this for a living, then Instagram reels came along and my videos started to find the right set of audience. It all started clicking really well because I had all this experience to write a joke and deliver it in the best way. I had the perfect opportunity and I had the baggage of 4 years of content, where I already knew what I wanted to say. I got the right outlet when reels came along. It really did it for me and that’s when it grew up.”

When asked if it is difficult to create short form content than long form content because one only gets 30 seconds to woo the audience, he responded, “For someone who grew up making long form videos, for them it is definitely tougher because they are used to dealing with nuances, building a premise that is longer and delivering a joke. But, for a GenZ kid, short form content comes easily. They are very intuitive with their content. They know how to do it. I have done short form content for a while and I still can’t make a video less than 45 seconds because I think to myself, ‘What do I do in 45 seconds?’. My videos are usually 45 seconds to 1 minute. I think it is more about conditioning. Once people find their length and wavelength, it comes naturally. Long form and short form are very different. Comparing them is tough.”

Speaking about having an ‘alternate plan’ to content creation, Vishnu said, “There was always an alternate plan. This was the alternate plan. I started making videos in my 12th grade. I was in my college when started this. For the first 4 years, I was doing my B-Tech in computer science engineering while I was making videos in college. I was also working with an organisation back then, so I was doing college, working on something and making videos. After college, I got an internship/job and I was doing that. I was into social media marketing, PR and advertising, then I got a call from MenXP, asking if I want to come and audition. Until I got that call, I never stopped having this one thing, i.e my day job. I always was making videos. For me, making videos was never a profession. For me, it has always been the time I can do whatever. That time is my time. Creating videos, after coming back from my college or job, was my time. It has always been fun for me.”

Check out the entire interview on NewsX YouTube:

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REPUBLIC DAY CELEBRATIONS

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The National Flag is hoisted above the Clock Tower (Ghanta Ghar) on the occasion of the 73rd Republic Day, at Lal Chowk, in Srinagar on Wednesday. ANIIndian Air Force’s Rafale aircraft leading MIG-27, MIG-29 and Sukhoi aircraft in a fly-past above Rajpath during the 73rd Republic Day parade, in New Delhi on Wednesday. ANIPresident Ram Nath Kovind presents the Ashoka Chakra (Posthumous) to Babu Ram, Assistant Sub-Inspector of J&K Police. The award was received by his wife Reema Rani and son Manik Sharma, at the 73rd Republic Day Celebrations, at Rajpath, in New Delhi on Wednesday. ANIA dance performance going on during the 73rd Republic Day Parade, in front of Vidhan Sabha, in Lucknow on Wednesday. ANIArtists take a selfie after the conclusion of the 73rd Republic Day Parade, in Jammu on Wednesday. ANIThe Arunachal Pradesh tableau, based on the theme “Anglo-Abor (Adi) Wars” on the Rajpath during the 73rd Republic Day Parade, in New Delhi on Wednesday. ANIIndian Army’s Akash missiles on display during the 73rd Republic Day Parade, at Rajpath, in New Delhi on Wednesday. ANIBorder Security Force (BSF) women Dare Devils perform a stunt during the 73rd Republic Day Parade, at Rajpath, in New Delhi on Wednesday. ANIParamilitary personnel march during 73rd Republic Day celebrations, in Leh, Ladakh on Wednesday. ANICentral Reserve Police Force (CRPF) personnel celebrate after winning the first prize for march past at the 73rd Republic Day function, in Patna on Wednesday. ANI

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