DECODING THE ART OF TRANSFORMING BIKES WITH VIJAY SINGH AJAIRAJPURA

Vijay Singh Ajairajpura, the driving force behind Rajputana Customs Motorcycles, a Jaipur-based motorcycle outfit that changed the face of bike restoration in this part of the world, talks about the influence behind the customisation of motorbikes and further diversifying India’s curation of motorbikes.

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DECODING THE ART OF TRANSFORMING BIKES WITH VIJAY SINGH AJAIRAJPURA

Thanks to his father’s long-standing affair with two-wheelers, a young Vijay Singh Ajairajpura got introduced to motorcycles much earlier than his contemporaries. He grew up riding a 500 CC BSA Falcon before getting onto bigger beasts. Upon completing his higher studies and returning to India, he found that his old motorcycle had been donated to his factory electrician. Vijay took this as a turning point by choosing to take the road less travelled — he would build a bike for himself, from scratch! He reached out to Royal Enfield, who were kind enough to sell him their brand new 350 CC Unit Construction Engine to get started. With that and with the help of a master metal fabricator and ex-racer who Vijay refers to as Shakur Ji, Vijay got down to assembling his first-ever masterpiece which came to be known as Original Gangster. After its exhibit in the Auto Expo of 2010, the Original Gangster attracted a substantial trail of customised motorcycle orders.

Today, RCM contributes approximately 12 bikes per year to India’s diversifying motorcycle heritage. And what’s more, RCM has earned the proud patronage of motorcycle enthusiasts, with the entourage being led by none other than the Bollywood celebrity John Abraham, who happened to be Vijay’s first client. Abraham’s customisation — Light Foot stands amongst the first in Vijay’s extensive fleet of masterpieces to which he ascribes unique names such as Aghori, Rajmata, Jordaar, Laado, and the likes. And what’s more, the unique essence of RCM doesn’t end here, in fact, this is just the beginning. An oft-said but firmly maintained pledge at RCM entails that no design is repeated. Hence, bespoke automobile crafting is taken to a whole new level of authenticity, whereby each customisation is planned keeping in mind the character and priorities of its future owner. The careful crafting of every masterpiece is given a final finishing touch with Rajputana inscriptions, that, according to Vijay is his personal exhibition of Rajput culture through what he is most passionate about — motorcycles. 

Under Vijay’s unparalleled leadership, RCM is presently close to 4.5 lakh followers on Facebook and many more admirers offline. Looking back at his seven-year-old journey, Vijay shares some personal and professional insights with Rajputana Collective, all of which reverberate the power of following one’s passion and dreams.

Excerpts:

Q. What sparked off your interest in motorbikes, their customisation and restoration? 

A. Having grown up around bikes, I’ve always had an eye for them and having built my first bike from the ground up, there was no turning back. Our team at RCM strives to challenge ourselves with every project in hopes of getting better at the art of customisation and restoration.

Q. Amongst the various motorcycles that you have worked on, which has been your most challenging project?  

A. ‘Jordaar’ was the first Harley Davidson we built from the ground up. We built a sleek stretched out frame to cradle an HD 883 engine at its heart. The bike also sports a one-off front linkage suspension, plenty of custom metal fab, massive 23 inch wheels, intricate koftgari, and damascus detailing. We had three months to build the bike for India Bike Week and given the amount of work involved we had bitten of more than we could chew but we worked around the clock and got the bike looking decent. Since then we have given ‘Jordaar’ a lot more TLC with time in hand and now she shines bright and stands strong.

Q. In your varied collection, which is your most favourite piece and why? 

 A. I really like my Second World War BSA M-20 called ‘Laado’. She’s olive green with big balloon tires and plenty of brass with black leather to go. Having been manufactured in 1942, riding ‘Laado’ on an easy Sunday with fairly empty roads is a pretty special feeling. 

 Q. Is there a particular motorbike outside your collection that you aspire to as your ‘dream vehicle’? If so, which one?  

A. There’s no one motorcycle I can think of. They all have their special magic if you tap in. 

Q. What is your least favourite aspect of motorcycle restoration?  

A. The amount of time these things take (laughs).

Q. What is your opinion on present-day motorcycle customisation/ restoration in India? 

A. It’s great to see so many people embracing motorcycling again and trying/refining their customisation/restoration skills.

Q. How would you recommend further diversifying India’s curation of motorbikes? 

A. Over the last few years the Indian two-wheeler sector has been reforming rapidly, prospering, and getting more informed globally. Everyone in the Indian motorcycle industry should push down their path and further their skills if we are to have a truly diverse and rich motorcycle heritage.

Q. In what way does your vision take forward Rajputana customs? What are your future prospects? 

A. We will always look to do new challenging things in this magical world of two-wheelers and as long as we have the drive to keep exploring, we will build, ride, and race these machines. 

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