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New songs lack melody: Composer Upmanyu Bhanot

‘If you compare today’s music world with the 1970s, ’80s or mid-’90s, in those times, composer and producers were focusing more on the music and the melody but today the melody is missing,’ says Upmanyu Bhanot.

Music Composer Upmanyu Bhanot recently got candid with NewsX in an exclusive interview as a part of its special series NewsX India A-List. He shared insights from his 22-year long musical career which involves delivering a Gima award-nominated album to working with singers like Asha Bhosle and Sonu Nigam.

Reflecting on his 22-year long musical journey, Upmanyu said that he began his musical journey at a very early age. He was only 8 or 9 years old when he started playing the tabla and then gradually progressed to other instruments like guitar, keyboard and computer-generated music. Upmanyu expressed that he has always been interested in instrumental music and was particularly interested in scoring background music since the beginning.

The music composer has worked with legendary Sitar Maestro Shujaat Husain Khan and Asha Bhosle, produced music for mainstream cinema and television series, background scores of feature films and documentaries.

Having produced music in a variety of genres, he further shared what defines Upmanyu Bhanot’s music. “I’m more known for my style of fusing things and love to experiment, classical or semiclassical with the symphony, electronic mixing with the symphony, or electronic music mixing with classical. The fusion world music is my genre. I love doing that and people also like that,” expressed Upmanyu.

He recently composed music for the web series ‘The Story’ for Zee 5 and ‘Bekaboo’ for Alt Balaji. Distinguishing between background music for film and web series, Upmanyu said, “We have to compose a lot of themes and then those are matched with the characters, and we have to make some random themes as well. And the background score is as per the scenes. It was a good learning experience for me. I enjoy doing background score off late. The more challenging the scene is, the more I enjoy it.”

When asked about his opinion on the remix culture and whether artists have to put in more efforts to remain relevant, he said, “Sound is changing every day so music is converting into sound. If you compare today’s music world with the 1970s, 1980s or mid-1990s, in those times, composer and producers were focusing more on the music and the melody but today the melody is missing. This is the reason why we are remixing old songs. We’re picking up the old melodies and putting new sounds which is a brilliant idea but unfortunately, some of the remixes are so bad. They overdo it and kill the melody so much that the sound overpowers the melody and you don’t enjoy the sound. They just kill the song. If you don’t overdo it then it’s fantastic. There’s a very thin line between overdoing it and doing it properly.”

At last, sharing a piece of advice for the young aspiring music composers, Upmanyu said, “Stick to your genre and don’t try to copy. Don’t think that if this guy is doing remixes and he is earning big money so I should also do it. All you need is to explore yourself, know your strength, and stick to that. I’m also exploring myself and still learning.”

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