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“BLOOD IS MEMORY WITHOUT LANGUAGE’’: A LITTERATEUR

The Writer from Google Semantic Profile appeared also a-teacher on self-unique rare style often globally described “Art of Thinking” and “Divine Vengeance”. Her initial general book was published on name of ‘War of Thrones’ (2017) written on basis of British and Persian Literature, was selected at Amazon and Smash-Interview. Towards end of 2017, her journey […]

The Writer from Google Semantic Profile appeared also a-teacher on self-unique rare style often globally described “Art of Thinking” and “Divine Vengeance”. Her initial general book was published on name of ‘War of Thrones’ (2017) written on basis of British and Persian Literature, was selected at Amazon and Smash-Interview. Towards end of 2017, her journey on literature was first selected from India to the USA wherefrom in middle of the next year she successfully came in front to the World of Literary Criticism with publication of her most powerful research work. As Google separately mentions the book titled and subtitled ‘Realization: (Documents Based on Self-Scholarly Effects with Google Scholar Citations.): William Shakespeare, Rabindranath Tagore and John Keats: on Selected Works of the Legends’ (2018) was reviewed further by Kirkus Review headquartered in New York City.
Another most equivalently powerful dynamic work of the writer based on History-podcast named, ‘The Immortal Fly: Eternal Whispers’(2019) been in-limelight on print-on-demand incredibly related to the Partridge Publishing with Penguin Random House recognized by the University of London. Here, in the book touched millions, the writer mentioned on a context: “I must not be dusty on my spoken words. Who shall I blame!” Next, ‘The Revolt in the Desert: Journey on English Literature from India to the USA’ (2022) uniquely-selected by The Telegraph Media Group (U.K.) on choosing-words with confidence justified her kind of playing-chess on innate-style at Literature with the foreign-language.
1. What inspired you to start writing?
I had gone through both literary pieces and fiction. Self-Creation is more challenging to my literal piece of work: “Writing is my passion, Analysis is my rhythm, Setting of any idea is my impulse, and Literature is ‘God Gifted’ to me.”
2. Describe your writing space.
My words: “Knowledge on Literature is Endless, Understanding the Literature is Infinite, Realizing on Literature is Rare but Creating on Literature is The Story of a Life.”
3. How do you handle literary criticism?
On gradual more of perception and consistency, my analytical-sense develops patiently within me on scribblings of words I gather speechlessly, and that written on each leaf of my-mind: from knowns or unknowns.
How much ‘world building’ takes place before you start writing?
I belong to world of desert where I know an oasis is there: My pen and choice on words where blood turns into ink at Literature together provokes to give me a new soul putting aside as far as all odds and odd humans.
4. Would you rather be in a room full of snakes or a room full of spiders?
“The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then it moves-on.” I prefer to be in room of snakes, small enough, I can control their heads so they can’t bite but spiders just have too many legs.
6. If you could cure a disease, what would it be?
Planting a tree in world’s-sustenance is not just putting seed in ground but also planting seed of Humanity, Loyalty and Civic- Responsibility.
7. Do you have any piece of advice for the budding authors out there?
According to me it is important on writing-skill wherein to note down on perception, feelings, perspective thoughts and alike of the penman.
These all apparent factors can also be rejuvenated in a simple way even though the storyteller is not a good word finder. Truly speaking, Artificial Creative Style is variously a criterion that requires a time to reach the meaning of “a Wordsmith”, rather than what is called as ‘Innate’!

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