Ahead of Laal Singh Chaddha’s release, a controversy has triggered of Boycott Laal Singh Chaddha on Twitter. Recently in a media interaction, the actor reacted to the same and said that it has hurt him.
“That Boycott Bollywood…Boycott Aamir Khan…Boycott Laal Singh Chaddha… I feel sad also because a lot of people who are saying this in their hearts believe I am someone who doesn’t like India… In their hearts, they believe that… And that’s quite untrue,” Aamir Khan said.
Some users on Twitter dug up Aamir’s controversial “India’s growing intolerance” statement and circulated it on Twitter.
Laal Singh Chaddha’s actor further added, “I really love country… That’s how I am. It is rather unfortunate if some people feel that way. I want to assure everyone that it’s not the case so please don’t boycott my films, please watch my films.”
Earlier in 2015, Aamir Khan made a controversial statement and said, “Our country is very tolerant, but there are people who spread ill-will.”
However, Lal Singh Chaddha is directed by Advait Chandan and is an official Hindi adaptation of the Academy Award-winning 1994 film ‘Forrest Gump’.
Aamir Khan, Kareena Kapoor Khan, and Mona Singh starrer Lal Singh Chaddha is going to release on 11 August 2022.
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‘Maybe bit too overstated emotionally, superficial politically’, Hansal Mehta reacts to Laal Singh Chaddha
The film Laal Singh Chaddha, starring Aamir Khan, has received mixed reviews from Hansal Mehta. The director acknowledged the effort put into developing the movie and stated that it deserved to be successful. He said that he found the movie to be a little too politically superficial.
Around midnight, Hansal posted on Twitter his thoughts after having watched Laal Singh Chaddha. He wrote, “Watched #LaalSinghChaddha. It is a very engaging film, made with passion and love. Maybe a bit too overstated emotionally and a bit superficial politically for my taste, but a film made with so much care, heart, and honesty. It deserves to succeed. So much to admire.”
He additionally said, “But the truth is I found myself either moist-eyed or smiling for a major part of the film. Go watch #LaalSinghChaddha. Stop spreading Malaria.”
The film Laal Singh Chaddha, which has been directed by Advait Chandan, is the authorised Hindi adaptation of Tom Hanks’ 1994 Hollywood classic Forrest Gump. Aamir Khan makes his comeback to the big screen with this movie, following the failure of Thugs of Hindostan in 2018. Kareena Kapoor, Mona Singh, and Naga Chaitanya all play significant roles in it as well.
However, the movie hasn’t yet received the anticipated response at the ticket counters. In the first three days after its release, it grossed almost 27.70 crore.
Aamir was the subject of a complaint on Friday for allegedly disparaging the Indian Army and offending Hindu feelings with the movie. In one of the scenes, Laal Singh Chaddha is asked by Pakistani staff, “I offer Namaz and pray, Laal, why don’t you do the same?” Laal responds, “According to my mum, the entire puja paath is malaria. It causes riots.” The way in which a mentally challenged person was permitted to enlist in the Indian Army and participate in the Kargil War in the movie has also drawn criticism.
Zoya Akhtar’s ‘Kho Gaye Hum Kahan’ concludes shooting
The shooting for ‘Kho Gaye Hum Kahan’ has come to an end. The movie is directed by Arjun Varain Singh and is scheduled to release in 2023.
Actor Siddhant Chaturvedi shared a heartfelt note for the cast and crew and thanked Zoya for the film.
Taking to his Instagram handle alongside the pictures Chaturvedi wrote, “and its a wrap! #KhoGayeHumKahan. We were young crazy, and restless. Fun, curious & a millennial mess. It’s a story about you & me, and we were just… A bunch a cool kids makin’ a film.”
Thanking director Zoya Akhtar Siddhant said, “Thank you @zoieakhtar @reemakagtil for the best filming experiences ever. @tigerbabyofficial @excelmovies Hail! @arjunvarain.singh Our Captn! My brother! Thank you for showing this mad faith in us. You’ve been strong & vulnerable in a timed beauty of its own.”
“My creative pillars @yashsahai and @sapanv. It wouldn’t have been possible without your Wit, Wohoos, and WTFs! My Co-stars and now friends for life @ananyapanday @gouravadarsh @kalkikanmani. I’ve only grown working alongside you both. You guys are freaking beautiful. And lastly to the whole Cast and Crew, Dadas and Dudes, and my core A-team @radhikamehta9 @gautam0099 @poonamsrv @sandeep.rasal82. Thank you guys, it was an honor,” Chaturvedi wrote.
‘Kho Gaye Hum Kahan’ is a story of three friends in the city of Bombay. The movie is written by Zoya Akhtar, Arjun Varain Singh, and Reema Kagti.
Meanwhile, the new age drama by Excel Entertainment stars Ananya Panday and Adarsh Gourav. Moreover, Arjun Varain Singh is making his directorial debut with this movie.
However, the 29-year-old actor will be next seen in the movie ‘Phone Bhoot’ alongside Katrina Kaif and Ishaan Khatter.
Comedian Raju Srivastava’s condition is stable, says family; urges fans to ignore rumors
Comedian Raju Srivastava who went through successful angioplasty following a heart attack is stable.
Raju Srivastava released a statement, “Dear all, Raju Srivastava Ji’s condition is stable. We are praying for his speedy recovery. The doctors are treating him and are doing their best. Thanks to all the well-wishers for their continued love and support. Please ignore any rumor/fake news being circulated. Please pray for him.”
Comedian Raju Srivastava on Wednesday suffered from a heart attack after which he underwent angioplasty and now is on ventilator support. According to sources Raju is “responding to the treatment”.
Comedian Srivastava’s health deteriorated on Tuesday night after which he suffered from a heart attack.
Earlier on Wednesday, Comedian Sunil Pal said that Srivastava’s health is good now. He is recovering rapidly and will be home soon.
Meanwhile, just hours before Srivastava suffered a heart attack he shared a stand-up comedy piece on his Instagram. He mimicked a few veteran actors on information being spread on Covid-19 via caller tune on the phones.
However, Srivastava got recognition by participating in The Great Indian Laughter Challenge and Big Boss. He has done roles in films like Bombay to Goa, and Aamdani Atthanni Kharcha Rupaiya. Moreover, Srivastava is also the chairman of the Uttar Pradesh Film Division Board.
Latest trends in beauty: High-end fashion to street-style looks
“Confidence” is an essential element of “beauty”. It is important to have confidence. While people’s opinions, what we see and read online, and what society considers to be “beautiful” may influence us; one should not seek external validation about beauty. Beauty is what we perceive and believe. It lies in the confidence that comes from within. The most important thing to remember is to be a champion of your unique beauty.
In today’s world, there are several ways and benchmarks of beauty, and there are different ways to meet those; it should be left to the individual how they want to enhance their beauty. When it comes to aesthetics, I believe there should not be any definitions or standards and one should be able to express themselves as they want rather than following trends or abiding by any sort of rules or standards.
HOW THE BEAUTY INDUSTRY IS CHANGING THE GAME
As much of a luxury as they are in our daily lives, beauty products take up a great deal of space in our routines and wallets. Thus, multi-use items provide simple solutions that address multiple concerns at once. There are all-in-one products, from lip and cheek tints to SPF foundations, which take up less space and time to help spruce up one’s looks. Multi-purpose beauty goodies are not very uncommon today, with most top beauty brands having at least a few of them in their line-up. Switching to these ‘do-it-all’ formulas crafted for the modern, multi-tasking woman is indeed a great move. Adding to the novelty in the industry is Artificial Intelligence (AI), which is closing in the gaps between physical and digital experiences of wearing make-up. It adds to the shoppers’ experience and thus sales conversion, something that’s surely helping, especially given the disruption owing to the pandemic. In addition to all this, there is a growing demand for “clean” beauty products with added health benefits, which are increasingly appealing to environment-conscious consumers.
YOU GLOW, GIRL, NOT HAUTE MAKE-UP, OR STREET STYLE
With all the beauty trends washing over the industry, it’s simple to stand out by making your own style statement. Be true to yourself and your own sense of style by bringing your attitude with you. Incorporate styles that are built on your sense of individuality rather than merely being fixated on the current beauty trends. By the way you choose to dress, you may say a lot about yourself, your mood, your ideas, and what you perceive. Street style is a very contagious and instantaneous aspect of beauty that has revolutionised the way it’s manufactured and consumed. High-end beauty trends, on the other hand, are stylish and extravagant—leaving behind a style statement. Nevertheless, it is wise to accept your inherent beauty and know what works for you. You must discover what sets you apart from other individuals, and then cultivate an appreciation for what makes you special. Own your individuality and take pride in it. There’s no better medium to communicate beauty than with self-preference. All that counts is to be your original self. It doesn’t matter if you want to dress up or down; the most important thing is that you feel confident, comfortable, and beautiful in the clothes you’re wearing. Style, poise, and good taste are not things that can be purchased, but they can be learned and acquired. So, whether you decide on a vintage street style or high-end chic.
The author is Co-Founder, Renee Cosmetics.
ANUJ B FLEXES IN SHINY ‘MIQESI’ VIDEO
If you are a fan of Punjabi hip-hop, you are in for a treat! ‘Miqesi’ by singer, songwriter, and composer Anuj B, just dropped but is already getting loads of attention. Anuj has been performing live since 2011, and the biggest feather in his cap was his performance at the Supreme Court of India in 2018. After many years in the business, he has released his eighth single, Miqesi. When asked about the inspiration behind this song, he says, “In today’s evolving world of relationships where true love and care seem to have lost their meaning, this song symbolises what happens to the heart of an honest artist who observes the increasing drug culture, one-night-stands, and hardcore party lifestyle around him, but remains unfazed, because his meaningful connections matter more to him, as well as the attraction he feels for one special person.”
Born and raised in Jalandhar, Punjab, Anuj graduated with a B.Tech from Lovely Professional University (LPU). Though he was studying engineering, he felt drawn to music. He used to sing from a young age in school, but he also started writing lyrics and composing music around the year 2011. He claims his biggest strength is his versatility in music. “There have been many inspirations for me, but KK is the one whose singing style has touched me the most,” he shares with candour. Apart from his musical training and background, the reason he ventured into making music was incidental. He shares the story with a smile, “I am blessed in a way that when I was nine years old, my father was learning the basics of music and I was fascinated and started learning from him too. This is how I began my musical journey from such a young age. Then, in the year 2011, I learnt how to play the guitar for six months from Vikram Biswa Sir, who is an amazing teacher, and later in 2014, I took musical classes for a year from Parth Sen Sir and learnt Hindustani classical ragas to hone my craft further. I feel my active involvement in making music was meant to be and when it happened, I felt spiritually connected.
Oncoming to the subject at hand, Anuj shares the interesting story behind the evolution of the song Miqesi. He says, “One day I happened to share my thoughts about an artist not being affected by the crazy temptations of an artist’s life, with Parvish. He too felt inspired by the story I wanted to narrate, and immediately went to the drawing board. Soon, he sent me a scratch of the song, which I loved. It kind of clicked instantly, and that’s how we started working on Miqesi. Whenever I work on a song, I always learn something new, and recording Miqesi taught me a variety of musical nuances. This is why I believe it was a unique and amazing experience to create it. It is never an easy task to break into an industry as competitive as the music one. Yet, Anuj has an interesting take when asked about the challenges he has faced. He asserts that the internet and social media have come as a boon to all budding and independent artists like him, and he uses these mediums readily to reach out to all the musical lovers across India and the world. The video accompanying the song has received many views as well. Anuj especially enjoyed the experience of making it. The concept of the video is the brainchild of Reo Gill, who visualised everything. Owing to its unique concept, however, Anuj felt that shooting the song was very exhausting, as it required numerous takes to be perfect. Yet, in the end, the entire team had a great time together. Next, he is working on a couple of new songs. Also in the pipeline is the release of songs that he created earlier but which needed some tweaking. He signs off by saying, “My motto in life has always been to be a learner throughout—learning music, enjoying music, creating music, and making the audience happy, and I will always strive to do this.”
Noor Anand Chawla pens lifestyle articles for various publications and her blog, www.nooranandchawla.com.
ARTIST LALU PRASAD SHAW’S BEAUTIFUL ARTISTIC REFLECTIONS
The solo exhibition echoes an evolution of Lalu Prasad Shaw’s artistic pursuit of over six decades. The endeavour is to give the audience an experiential walkthrough of the artist’s path by including works from his early days of printmaking.
An artist’s canvas is often a peep into their lives. And this is certainly true of artist Lalu Prasad Shaw. Those keen to catch a glimpse of his artistic oeuvre must visit Gallerie Splash’s exhibit “Masterly Manoeuvring,” curated by Manmeet K Walia, which is on till August 24 at Gallerie Splash in Gurugram, after having been on display for a month at Bikaner House, New Delhi. In his artistic journey, Lalu Prasad Shaw represents his ideology of nationalism through his romance with Bengali culture. Time and again, he sketches out his interpretation of beauty in the simplicity of the people of Bengal. The show also presents a documentary filmed in the artist’s studio. “Shaw talks about his artistic goals, narrates anecdotes reminiscing good old times, his attachment with the city of Kolkata, mentions the challenges he faced, shares his experiences during the journey, and compliments his long-standing affiliation with the gallery,” explains the curator. She adds, “By reimagining the cultural essence of the traditional art form of West Bengal called Kalighat Pat, Shaw drifts away from conventional storytelling while staying true to his deep-rooted association with Kolkata.” The history and creative passion in West Bengal are impregnated with culture and color, and Shaw portrays that fervour through his practice.
The solo exhibit echoes an evolution of Lalu Prasad Shaw’s artistic pursuit of over six decades spent creating stories. The endeavour is to give the audience an experiential walkthrough of the artist’s path by including works from his early days of printmaking, pen and ink drawings, Conte sketches, tempera paintings, and bronze sculptures. “ Born in Siuri, Birbhum, in Bengal in 1937, Shaw was surrounded by art. From his home, he could see the Malakars work their magic on the Sholapith craft, one of the traditional handicrafts of Bengal. He would keenly watch them work on sculpted idols of Goddess Durga, the puja adornments as well as the pata art to place in front of the idol. Soon, he began to explore colours and make paintings on his own. He was admitted to the Indian College of Art & Draftsmanship, Kolkata in 1953, but after a few months, he left and joined the Government College of Art & Craft, Kolkata in 1954. After graduation, Shaw taught art for 18 years, covering painting in watercolor, pastel, and clay modelling in various schools in West Bengal. He taught graphic art at his alma mater and eventually moved to Kala Bhavan in Shantiniketan.
Shaw’s artistic practise largely captures the middle-class life of Bengali men and women, who are known as the Bhadralok. His works are strongly influenced by the pre-independence Company School of art, the traditional Kalighat Patachitras, and the Ajanta cave paintings. Walia shares, “Shaw’s highly stylized paintings reflect his interest in patterns, where each minute detail is called in for its significance, reminding one of the miniature portraits of the past. It is while working at the Kala Bhavan, at the photography studio in Shantiniketan, that he closely observed the Bengali babus who come in dressed in dhotis, and the ladies decked up in their best saris, posing with flowers or a mirror. They soon became his muse, and he is best known for his images of babus and bibis, depicted in tempera. “ Shaw began dabbling with printmaking at the age of 32, mastering it very quickly. Over the years, he experimented with both abstraction and figuration. He was fond of discovering new ways to depict the image. Yet, at age 80, Shaw returned to his muse, the middle-class Bengali, but as bronze sculptures.
“With his new sculptural work, Shaw chooses to focus on many familiar Kolkata tropes. These are trams, hand-held rickshaws, fish markets, and middle-class people. His personal favourite is ‘Babuana’, the sculpture which depicts a Bengali babu walking with a fish in one hand and resting an umbrella on the other, for which he used a hilsa fish as a mould to add authenticity to the work, “shares Walia.”
Shaw’s work has featured in prestigious shows, including the second British Biennale in London in 1970; two Norwegian Print Biennales in 1974 and 1978; the seventh Paris Biennale in 1971; and the second Asian Art Biennale in Bangladesh in 1984. His works are also part of permanent collections like the Birla Academy in Calcutta and the Art Forum in Singapore. His notable achievements include many arts-related awards. On the occasion of this new exhibit, he says, “The inspiration behind my painting is nothing but space, form, and light.” I try to paint the people around me, their attire, and their life. My artworks have great meaning behind them, which cannot be felt by just glancing at them once or twice. You must observe my paintings to feel them. My Babu and Bibi do not wear modern outfits or clothes; they only wear traditional dresses like Dhotis and Sarees. My journey in art began with pain and discouragement. People around me said it would be futile. Nevertheless, I decided to pursue art. “ and we are all glad he did.
Noor Anand Chawla pens lifestyle articles for various publications and her blog, www.nooranandchawla.com.
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