Renowned Japanese playwright, director, and theater leader Uro Kara, whose innovative approach reshaped postwar avant-garde theater in Japan, has passed away at the age of 84. Known for his bold reinterpretation of Kabuki aesthetics and his contribution to the Japanese underground movement of the 1960s, Kara left a lasting impact on the theatrical landscape of Japan.
Kara, born Yoshihide Otsuru, was a prominent figure in the “un-gura” movement, characterized by a rebellious and kitsch style that challenged established theatrical norms. His colorful and energetic shows, often staged in makeshift tents reminiscent of a traveling circus, defied traditional Western-influenced theatrical conventions prevalent in modern Japan at the time.
One of Uro Kara’s notable plays, “Koshimaki Osen,” exemplified his raw and physical storytelling style, eschewing naturalism for a more immersive and surreal experience. His theater, famously known as “the red tent,” created dreamlike settings that captivated audiences and showcased a pop surrealist aesthetic, as seen in the striking posters by artist Tadanori Yokoo.
Despite his passing, Kara’s theater group continues to carry on his legacy, keeping alive his groundbreaking vision and serving as a training ground for many renowned actors in Japan. Kara himself was a multifaceted artist, winning the prestigious Akutagawa Award for new writers in 1983 for his novel “Letters from Sagawa” and also appearing in various films.
Uro Kara’s contributions to Japanese theater and culture have left an indelible mark, and his passing is mourned by the artistic community and theater enthusiasts alike. Funeral arrangements are yet to be announced, with plans for a private service for family and close associates. He is survived by his wife Michiko and their children, who are also accomplished actors.