Arbind Kumar Choudhary who has been declared not only The Universal Ambassador of Peace from Poetry by Gabriel Simond, the president of Geneva based duo organizations- Universal Ambassador Peace Circle and Universal Peace Embassy but also has been declared The Founding Father of Arbindonean Racy Style of Versification, Indianised Version of Arbindonean Sonnets and above all, The Phrasal Movement in Indian English Poetry for the spiritual whirlwind of Tom, Dick and Harry here, there and everywhere.
Natural beauty sends the suitors in the seventh heaven. The planets, sub-planets, animals, birds, trees, rivers, air, moon, sun, stars, and all other living and non-living objects abide by nature and its universal law of change. Nature is really a boon companion for the domain of natural objects. Love is the jewel of the amative, for the amative and by the amative. Love bird creates paradise on earth. His love for nature is thoughtful, charming and beautiful. The pictorial quality that he uses in his writings is superb. His pictures appeal to our sense of sight, taste, smell, hearing etc.
The more one suffers, the more one gets. Suffering makes a man more mature in life. The cultural culmination that blooms and zooms from October to May fires the creative germs for its pine grove. It incorporates the great personalities of the locality and paints a painterly picture of Majuliscape, Satrascape and Brahmaputrascape for its iridescence for Tom, Dick and Harry in general and the versifiers in particular.
It is primarily a cluster of 261 quintets only. Indian mythical messiahs appear time and again and spread mythical iridescence far and wide. The rhymed quintet that is primarily a junction of phrasal words used in plural numbers -speaks volumes in the superlatives not only about The Phrasal Movement but also the phrasal fragrance for Tom, Dick and Harry in general and the versifiers in particular from this culturally prosperous land of milk and honey. The examples of alliteration, assonance, parable, mythology, onomatopoeia etc are frequently found that make this poetry book a great work of art in English poetry in general and Indian English poetry in particular.
But the junction of the phrasal words in plural numbers justifies his phrasal heraldry in Indian English poetry. The fangs of failure, the treasure of truth, the pangs of poverty, the plethora of pride, the philter of the padre, the flare of the graymare, the dance of death, the tide of the bride, the soldier of fortune, the mirror of the rhetor and many others make it an artistically crafted verse in Indian English poetry.
Mary is for the west what Sita or Radha is for the Indians. These western mythical messiahs– Terpsichore, Tanya, Jove, Lucifer, Titan, Demeter, Flora Mulciber and many others are frequently found across his verses that bloom and zoom with their Indian counterparts-Savitri, Panchali, Sita, Govind, Krishna,Rama,
Saraswati, Ira, Harendra, Deependra, Brajmohan, Janakiraman,Urvasi, Dadhichi, Sabri and many others with great poetic beauty and perfection. Majuli is really an adopted child of nature that perfumes the meadows with its fragrance and celestial delight.
Majuli’s meridian, Majuli’s fecund zone, Majuli’s monastery, Majuli’s terrain, Majuli’s cultural heraldry, Majuli’s fragrant zone, Majuli’s philter, Majuli’s virginity, Majuli’s milking zone, Majuli’s may, Majuli’s luminosity, Majuli’s suitor, Majuli’s aster , Majuli’s meadow and Majuli’s natural order make him a versifier of Majuli in the same way R.K.Narayan has been known for Malgudi. The essence of the phrasal, proverbial and pictorial poetic passage drenches the verse-suitors for its nectar.
Arbind Kumar Choudhary is really a phrasal drunkard in Indian English Poetry.