A designer with five decades of work as her repertoire, an Indian couturier who way back in the 1970s set up her own label, Saz, pat in the middle of Manhattan. A grand lady who lives in a home listed as a palace in the famed book Le Palais De L’Inde. A revivalist who has done utmost justice to the craft of silver furniture. Adarsh Gill, the more you speak of her, the lesser justice you do to a dynamo I have known for the last 20 years. For one her energy is inimitable. I can count women on my fingertips who, at her age, get up each morning with such a ‘zest to do’.
All set to discover, create, launch and restore. So often she calls, in the wee hours, wanting to know if crafting a new line of colonial furniture would be a stream worthy to produce. Or if at her flagship store, she should have more bridals or uber chic Westerns… As she laughs, “I am a young old woman.” In her palatial home I have met Emanuel Ungaro, in India for a no meet press quiet mission.
Had a sit-down meal with actor Sanjay Khan, who is like her family and bonded with the veritable who’s who of the country. All this over a sit-down meal served on her vintage table, bought from a Maharaja with the finest Chinese cabinet by its side. Over the finest French wines, the best fish curry and yummy chur chur parantha (a house specialty) you can hope to devour knowledge of exactly where the global lotus eaters are holidaying, partying or simply idling their decadent life away. However, it is her sharp design sense, her understanding of silhouette, her hawk eye for detailing, and her mastery over embellishments, textural treatments and embroideries that make Adarsh Gill one of the few truly couture labels of India. Born to a leading, traditional, affluent Sikh family, Adarsh found herself and her sister married off to an industrialist family in Panama at age 17.
Mother at age 18, Adarsh, in her mid20s, found herself fending for herself in New York. “Those days it was rare for anyone to venture to London… Panama sounded like many moons away. But we loved the life there. The energy of the many rich Indian families who had made their fortune in Latin America in the late 1960s, early 1970s.” She moved to the US in the mid-1970s.She set up her label Saz and sold out of Manhattan’s trophy stores like Neiman Marcus and Macy’s. Adarsh Gill travelled to Paris in the mid-1980s. In the fashion Mecca of the world, Paris, she found a new design space for her designs. Able to blend the European colour palette and design sensibilities with the rich treasure trove of Indian handcrafting techniques, she slowly became the chosen beader for every fabled couture house worldwide.
From Dior, to Ungaro, to Balenciaga, Hermes, she was creating luscious embroideries for them all. Living the high life in uptown Paris, in a chic apartment and coming back to India to be with family, especially her sister, when she did get homesick. A need, an urge to return to her roots brought her back to her country and her palatial, colonial home in Lutyens’ Delhi that has three wings, a swimming pool, gardens on each side and a kitchen garden full of organically grown herbs and vegetables. Filled with rare art, a few Ravi Varmas, Indian miniatures, a rare Tanghka and a few works by contemporary masters, this home is a perfect space to view the mastery struck by Adarsh Gill Homes, her design oeuvre through which she showcases the finest vintage furniture made from solid silver, encrusted onto the finest rose wood and sculpted, beveled, chiseled to ornate, ornamental designs reminiscent of both the Art Deco and Victorian era. She continued to complete her couture commissions for Parisien design houses but alongside started her own label: Adarsh Gill.
Flagging off the first signature store in Mumbai, she dressed the Indian crème de la crème. A master of both, the structured and tailored silhouettes of the West and the great Indian drape form of the East, her fashion sense is a fusion of oriental forms and Western elements. A creator of veritable heirlooms, Adarsh Gill recreates the life lived by the Indian Maharajas of yore. Her colours, textiles, embroideries and embellishments exude an understated elegance that allows the wearer to subtly shine through.
From rich Velvets to the finest Lamés, French Chiffon to Lace, statuesque silhouettes meet sensual forms and whisper like drapes complete the picture perfectly. Adarsh Gill blends world influences into one fashion statement. In her hands, lifestyle finds a new meaning. Like past influences finding a new vocabulary and costuming blending into the informality of today.
EX-CONTESTANTS ON BIGG BOSS SURVIVAL KIT
Have you ever wondered what it must be like, to be in the Bigg Boss house for weeks and months, far from your near ones — from all humanity, actually — and with cameras playing agents of voyeurism, dishing out your every move to the world outside?
Most ‘Bigg Boss’ housemates would tell you the experience can leave you mentally drained, unless you develop a strong defence mechanism. The ones who have truly excelled talk of the need for a psychological survival kit, to tide over the tremendous pressure that the mind games inside the house bring in.
‘Bigg Boss 7’ winner Gauahar Khan counts the ability to retain one’s individuality as the biggest weapon.
“There is no fixed formula to win the show but I think it has a lot to do with one’s individuality. What you are and how well you connect to the audience matters the most. Everyone has a different personality. It’s just that one should know how to portray the traits in front of the audience,” Gauahar tells IANS.
Actress Kamya Punjabi, who was one of the star attractions in the seventh season, recalls how she wanted to leave the show midway as it was becoming “unbearable” for her to live without her little daughter.
“It’s not at all easy to survive in the house. I remember there were days when I felt like leaving the show in between to go and meet my daughter. I was missing her so much,” says Kamya. For Kamya the tool of survival was the sheer realisation that getting to be on the show was a big deal. “It was a once-in-a lifetime opportunity. I knew I would never get this chance again. I knew I would meet my daughter after three months but I wouldn’t get such a golden chance again. That kept me going,” she recalls.
A lot of playacting and drama may go on, but season 13 star Paras Chhabra insists it is important to stay real to make it to the finals. “People love a true personality. Stay as you are. If something wrong happens, stand for your beliefs,” he says.
Paras also emphasises on the necessity to be resiliently good with the tasks. “Tasks are very important in ‘Bigg Boss’. A contestant should be able to perform well in the tasks. It’s one of the surviving elements,” he adds. Paras was one of the top contestants in the 13th season. He left the finale race after opting for the cash prize of Rs 10 lakh.
Mahira Sharma, who made headlines for her close bond with Paras in the house, has similar advice. “I feel it was my honesty and reality that worked. I don’t create relationships with others just for the sake of anything. If I am friends with someone, I try to give my 100 percent to that bond. I think that’s what people loved about me when I was in the house,” she says.
Survival, of course, can mean different things to different people, and it shows in the way contestants approach the game.
For season 13 housemate Aarti Singh, the essential item in her survival kit was a strong urge to prove herself. It is something that helped her reach the finale race despite panic attacks, she says. “I knew this was my last chance to prove myself. I would be lying if I say it was easy to live in the house. I had panic attacks while I was living in the house and it was all on national TV. I showed every side of mine because I knew it was a do or die situation. Whether I was real or confident or lallu or oversmart — whatever I was, I was just real. People appreciate truth and honesty,” shares Aarti.
Do the trademark abuses and fights of the show really help contestants to gain mileage and survive till the end? Actress Devoleena Bhattacharjee, who participated in season 13, disagrees.
“Abusive behaviour may help you survive but it can create a lot of negative impact, too. I remember Salman sir used to warn us and always remind us that there’s life outside the show and we should present ourselves in a dignified manner,” she notes.
Paras says unnecessary fights, howsoever they may let you grab eyeballs, is the last thing you would want in your survival kit inside the house. “If there are valid fights, it’s okay. But that does not mean you keep on fighting. There have been instances when contestants got evicted owing to their fights,” he points out.
Natalie is training for new Thor film
Actress Natalie Portman says she finds training for the upcoming superhero film, ‘Thor: Love and Thunder’, hard. The actress opened up about preparing for the film in Sydney when she joined ‘The Tonight Show Starring Jimmy Fallon’ virtually, reports eonline.com. Fallon pointed out that a lot of training and exercise goes into superhero films, and Portman confessed she was dreading it. “I’m trying. I’ve also had months of pandemic, eating baked goods and lying in bed and feeling sorry for myself. So I’m super tired during and after working out and dreading before,” she said. The Oscar winning actress is all set to return to the Marvel Cinematic Universe with ‘Thor: Love and Thunder’. She will be the first female to play the superhero Thor.
Matthew was sexually abused as a teen
Matthew McConaughey has revealed that he has been a victim of sexual abuse several times during his teenage years. In his new memoir, ‘Greenlights’, McConaughey opened up about being sexually abused, reports variety.com.
In the beginning of the book, McConaughey shares several facts about himself, which include his personal experience with sexual abuse. He revealed that his first time having sex was not consensual and that he was “blackmailed” into it. “I was blackmailed into having sex for the first time when I was 15. I was certain I was going to hell for the premarital sex. Today, I am merely certain that I hope that’s not the case,” he writes in his memoir.
McConaughey also revealed that he was “molested by a man when (he) was 18 while knocked unconscious in the back of a van.” He didn’t include many more details about his experience, but McConaughey shared that he does not consider himself a victim of the situations.
“I’ve never felt like a victim. I have a lot of proof that the world is conspiring to make me happy,” he said. The actor also opened up about his parents’ tumultuous relationship, his marriage to Camila Alves and his philosophy in ‘Greenlights’.
First look: Prabhas as Vikramaditya in ‘Radhe Shyam’
Prabhas is all set to ring in his birthday today and to bring in more cheers to his fans with an advanced birthday wish, makers of ‘Radhe Shyam’ released the character poster of Prabhas recently. The star will be portraying the character of Vikramaditya and from the looks of it, the anticipation around his look seems right. Taking to their social media, the makers shared Prabhas’ look and poster, “The Big moment has arrived! Here’s introducing #Prabhas as #Vikramaditya from #RadheShyam! #RadheShyamSurprise #HappyBirthdayPrabhas Starring #Prabhas & @hegdepooja.”
Earlier also, to mark Pooja Hegde’s birthday, the makers had revealed her first look from the movie on her birthday. The team is currently shooting in Torino, Italy. Touted to be a magnum opus, ‘Radhe Shyam’ is suggested to be an epic love story set in Europe. The film also features Sachin Khedekar, Bhagyashree, Priyadarshi, Murali Sharma, Sasha Chettri, and Kunaal Roy Kapur among others. Directed by Radha Krishna Kumar, the multilingual period drama is expected to release in 2021
A glimpse into Shahid’s early morning cricket practice
Shahid Kapoor has shared a sneak-peek from his early morning cricket practice for the upcoming film ‘Jersey’. Shahid is seen hitting a straight drive in a video he posted on Instagram . He is dressed for practice in a black T-shirt, basketball shorts, leg guards, gloves and a helmet. “Early mornings.. wake up with drive,” he wrote alongside the video. The actor and his co-actor Mrunal Thakur recently completed the Uttarakhand schedule of the film. ‘Jersey’ is a Hindi remake of the Telugu hit of the same name. The Hindi version is also being directed by Gowtam Tinnanuri, who helmed the 2019 original. The story is about a talented but failed cricketer named Arjun, who decides to make a comeback in his late thirties and play for India, in order to fulfil his son’s wish.
ANIL KAPOOR REVEALS HIS WEAKNESS
Anil Kapoor confessed on social media recently that his weak point is food. The actor also shared how he has adopted a new approach to eating to achieve a sharper look since lockdown.
Anil Kapoor wrote on his verified Instagram account: “Everyone has a weak point. Mine is food. The Punjabi boy in me needs the taste buds ignited, my eyes always bigger than my belly. During lockdown, I have set myself the task of achieving a new sharper look. This new look needs a new approach to eating. Both Harsh and my trainer Marc have taken it upon themselves to remind me constantly and lay down eating plans. I try and I battle. Sometimes I even fall. And what I’ve learnt through it all is that a chain is only as strong as it’s weakest link. So everyone in the house had to get involved. ”
Anil added, “From those who kindly cook my food to the support of my family gathered round me at meal time. Fitness is never a one man/ women crusade, it’s about support and encouragement when we need it the most. (Always get family involved and on board to help you in any diet if you wish to make it truely a success).”
“Is it easy? Not always, if I am honest. Some days the Punjabi boy sulks a little, but then some days, like this day with this picture… it makes it all worth it,” he concluded.
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