MUMBAI: Aamir Khan’s production house (AKP) took to their official Twitter handle and revealed the littering news during the shoot of Laal Singh Chaddha to be false and rubbished all the allegations against them. The production house issued a statement saying that the actor and his crew were falsely accused and nobody was guilty. In Fact, every member on the sets followed protocols and took measures to retain the clean surroundings.
The statement circulated by Aamir Khan Productions (AKP) reads as follows, “To whomsoever, it may concern, AKP would like to clarify that as a company we follow strict protocols for cleanliness in and around our shooting spaces. We have a team that makes sure that the location is kept trash-free at all times. At the end of the day, there’s a recheck of the entire location. At the end of the entire schedule, we make sure that when we leave a location, we leave it as clean as, or cleaner than we found it. We believe that there are some rumours/allegations about our location not being kept clean. We strongly deny such claims. Our location is always open to relevant local authorities to carry out checks anytime they like”.
A social media user named Jigmat Ladakhi had posted a video of the littered place and called out Aamir and the crew of Laal Singh Chaddha for their negligence and careless behavior. He even accused the actor of being a hypocrite as on one side he creates awareness on his talk show, Satyamev Jayate, and on the other side litters the beautiful landscape of Ladakh.
Laal Singh Chaddha is one of the most anticipated films of 2021 starring Aamir Khan, Kareena Kapoor Khan, Naga Chaitanya, and Mona Singh in main roles. It is directed by Advait Chandan and produced by Aamir Khan Productions, Viacom18 Studios, and Paramount Pictures.
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KARTIK AARYAN TO STAR IN SHASHANKA GHOSH’S ‘FREDDY’
MUMBAI: Kartik Aaryan will star in an upcoming romantic thriller titled ‘Freddy’. The film, set to be directed by Shashanka Ghosh, will go on floors on August 1 in Mumbai this year. The movie will be produced by Ekta Kapoor and Jay Shewakramani. The romantic-triller is said to be packed with unpredictable twists and sharp turns. The characters in the movie are set to take the movie buffs on a dark and chilling roller-coaster ride, where the lines between love and obsession will blur. Speaking about the movie, an ecstatic Kartik said, “As an actor, I crave to explore different facades of entertainment and with ‘Freddy’, I’m venturing into an uncharted territory which is both exciting and intriguing in equal measures.”
The actor also said that he is looking forward to bringing the romantic thriller to life. He added, “I look forward to dwell in the world of Freddy and bring alive this dark romantic thriller. It also marks my first collaboration with a visionary like Ekta Kapoor and creatives forces like Jayu and Shahshanka. Couldn’t have asked for a better team on this new journey.”
Shashanka, who has helmed films like ‘Khoobsurat’ and ‘Veere Di Wedding’, also spoke about the upcoming project and said it is going to be one of the “best thrilling cinematic experiences” for the viewers. The director said, “As a filmmaker, there is a lot to play with the genre, like a thriller. I am more than excited to work with an incredible team on a project as inspiring as Freddy. I am sure that the film is going to be one of the best thrilling cinematic experiences for the audience across the nation.”
Ekta Kapoor said, “I’m thrilled to have Kartik on board. His choices of subject have always been unique and this one is no different. I’m excited to take the audience into this dark, delicious world. Collaborating with Jayu makes it even more special!”
Jay said, “It is the first time I am collaborating with Ekta and Kartik on a film and for it to be on a script like this, makes it all the more exciting! Freddy is a script we worked on incessantly and we can’t wait for Shashanka to bring to life these crazy characters.”‘Freddy’ marks Ekta and Shashanka second film after the hit flick ‘Veere Di Wedding’.
AYUSHMANN SHARES EXPERIENCE OF SINGING TRACK FOR WIFE TAHIRA’S FILM
MUMBAI: Actor Ayushmann Khurrana, who is also a singer, has once again swooned viewers with his voice in his wife and filmmaker Tahira Kashyap’s latest film ‘Quaranteen Crush’.
Taking to Instagram, Ayushmann shared the song’s video and revealed that he composed and wrote ‘Kinni Soni’ along with his college friends — Sameer Kaushal and Gurpreet Saini.
“Wrote and composed this butterflies inducing song with Sameer Kaushal and Gurpreet Saini for Tahira’s lovely short film #QurantineCrush which comes under #FeelsLikeIshq. Loved collaborating with my college friends after so long. Felt like we were back in college during our late night jam sessions in Chandigarh winters,” he posted.
Singer Jonita Gandhi has given English vocals to the song. “Thank you Jonita for the angrezi vocals,” Ayushmann added. For the unversed, ‘Quaranteen Crush’ is a part of the just-released Netflix anthology ‘Feels Like Ishq’. The short movie revolves around the concept of a teenage crush and friendship during the pandemic.
Tahira even posted a short note on Instagram thanking Ayushmann for giving her ‘Kinni Soni’ song. “The song we were waiting for #kinnisoni..An integral part of my short #quaranteencrush that is a part of #feelslikeishq. This song really inspired me to create some magical moments between nimmi and Maninder on their terrace! Thank you @ayushmannk for giving me the song, thank you @s_a_m_k28 and @ghuggss for creating magic with it and thank you @jonitamusic for the mesmerising vocals, and thank you @gazaldhaliwal for this sweet script,” she wrote.
Meanwhile, on the film front, Ayushmann is busy shooting for ‘Doctor G’ in Bhopal, Madhya Pradesh. The movie also stars Rakul Preet Singh and Shefali Shah..
PRABHAS’ ‘RADHE SHYAM’ TO RELEASE ON 14 JANUARY
MUMBAI: Prabhas’ most anticipated film ‘Radhye Shyam’ has finally got a release date. It will arrive in theatres on January 14, 2022.
On Friday, Prabhas took to Instagram to share the update with his fans. “Can’t wait to watch my romantic saga, ‘Radhe Shyam’, which has a brand new release date — 14th January, 2022 worldwide,” he wrote.
Along with it, Prabhas shared a new poster of the film, wherein he can be seen all decked up while walking on the streets of Europe.
For the unversed, ‘Radhe Shyam’, a multi-lingual film, is helmed by Radha Krishna Kumar, and it features actor Pooja Hegde as well. Pooja, too, expressed her excitement about the film’s release date as it is debuting on the auspicious occasion of Makar Sankranti. “Woke up to this surprise. Sakranti has been lucky for me..fingers crossed for this epic love story,” she wrote on Instagram Story. ‘Radhe Shyam’ is produced by Bhushan Kumar, Vamsi and Pramod.
DEEPIKA SHARES BTS PHOTO FROM HER SHOOT FOR SHAKUN BATRA’S NEXT
MUMBAI: Seems like Deepika Padukone is asking for silence on the sets when she is at work as for the first time on Thursday she shared a BTS picture from her shoot for director Shakun Batra’s untitled next.
Taking to her Instagram handle, Deepika shared a picture from her untitled next, which appears to be the first glimpse of her character from the movie. The superstar could be seen dressed in a cozy sweatshirt and pants. With her hair tied in a high bun, Deepika could be seen busy while reading the script of the film.
Sharing the picture, she wrote, “Shh…Work in progress.” With the post hitting the photo-sharing platform, over three lakh fans liked it and many left red heart emojis.
Speaking about the film, apart from Deepika, Shakun Batra’s yet-to-be-titled film also stars Siddhanth Chaturvedi, Dhairya Karwa and Ananya Panday.The actor also has an impressive line-up of projects in the pipeline including ‘83’, ‘Baiju Bawra’, ‘Fighter’, ‘Sanki’, ‘Pathan’, and ‘K’, which is the Indian adaptation of Nancy Meyers’s 2015 hit Hollywood film ‘The Intern’, and will also feature megastar Amitabh Bachchan and ‘Bahubali’ star Prabhas.
AKSHAY KUMAR ANNOUNCES NEW RELEASE DATE OF ‘BELL BOTTOM’
MUMBAI: ‘Bell Bottom’, which was earlier scheduled to release on July 27 and was postponed due to coronavirus pandemic, will now arrive in theatres on August 19.
On Thursday, Akshay Kumar, who is the lead actor in the film, took to Instagram to share the news of the change in the film’s release date. “Mission: To entertain you on the big screen. Date: August 19, 2021. Announcing the arrival of BellBottom,” he wrote.
Akshay even treated his fans with a new teaser of the film, wherein it is written that ‘Bell Bottom’ is inspired by true events. Directed by Ranjit M Tewari, the movie also features Lara Dutta, Vaani Kapoor and Huma Qureshi.
‘Bell Bottom’, which is touted as a spy thriller, is bankrolled by Vashu Bhagnani, Jackky Bhagnani, Deepshikha Deshmukh, Monisha Advani, Madhu Bhojwani, and Nikkhil Advani.
RAHAT KAZMI’S EPIC RETELLING OF ‘LIHAAF’ IS THE HIGHLIGHT OF VOOT SELECT FILM FESTIVAL
The celebrated Urdu writer Ismat Chughtai extensively wrote about freedom of speech, femininity, class conflict, homosexuality, and expression of female sexuality: The subjects continue to be as relevant today as they were when she first started out in the 1930s. The early phase of her writing career was marred by an obscenity trial where Chughtai had to defend herself in the Lahore Court in the year 1944—an incident which led to much controversy and uproar. The obscenity charges were leveled against Chughtai for a 1942 Urdu short story published in the Urdu literary journal “Adab-i-Latif”. Titled “Lihaaf” (aka “The Quilt”), the short story explores the theme of homoeroticism. Interestingly, Chughtai wasn’t put on trial alone. Another legendary Urdu writer was put on trial for obscenity alongside her. If you haven’t guessed it already, the writer was none other than Saadat Hasan Manto. Chughtai has given a detailed account of the trail in memoir “Kaghazi Hai Pairahan” (“A Life in Words: Memoir”).
Rahat Kazmi’s period drama film “Lihaaf: The Quilt” which is being streamed by Voot Select as part of Voot Select Film Festival, a direct to OTT Film Festival, is not just a retelling of the story of “Lihaaf” as one would expect, but it also focuses on the aforementioned obscenity trial. The story begins when Chughtai, living in Mumbai, is summoned by the Lahore Court. Considering the charges of obscenity to be totally preposterous, Chughtai refuses to sign on the orders at first. She just cannot believe that the Lahore Court has actually put her on a trial for obscenity for a story like “Lihaaf” that makes no direct suggestion to any sexual act. Everything in the story is so subtle that it’s all up to the reader’s interpretation. That’s the exact argument that her lawyer makes in the court. Chughtai is essayed by Tannistha Chatterjee who never misses a note during her brilliant performance. The part of Manto is played with a refreshing playfulness by Shoib Shah who ensures that the controversial writer isn’t presented as totally humorless like was the case with Nawawuddin Siddiqui’s Manto (as good as the portrayal was) in the Nandita Das film.
The fact that Chughtai’s works continue to be as relevant today as they were several decades ago proves that our society hasn’t evolved much. Burdened by the weight of centuries old patriarchy, the women are still fighting the same fights, over and over again. Now, “Lihaaf” remains the most popular of all of Ismat Chughtai’s stories. While at the time it’s mostly received attention for its suggestion of lesbianism, it also deals with the solitary life of a neglected wife in the feudal society. Chughtai’s thought-provoking short story is considered to be a landmark not just in Urdu literature but also in modern Indian literature which continues to see sex and homosexuality as a taboo.
The story of “Lihaaf” is told through the point of view of a small girl who is temporarily left by her mother to live with Begum Jan. The screenplay of Rahat Rahat’s film, co-written by Sonal Sehgal and Rahat himself, assumes the young girl to be none other than Ismat Chughtai herself. Begum’s depressing life after marriage to a Nawab in the 1920s Agra is intercut with Chughtai’s obscenity trail in the Lahore Court. Begum’s husband is much older than her. He is highly respected by those around her for never having any affairs with prostitutes—a trait that most Nawabs are notorious for. But it is soon revealed that it is because of his attraction to younger men. Meanwhile, the lonely Begum gets ill but is saved by Rabbo, her masseuse, who is very skilled with her hands. When the young Ismat Chughtai is left at Begum Jan’s place by her mother, she begins to make some interesting observations about Begum Jan and Rabbo. At night, she gets petrified by the great shadows formed by the exaggerated movements of Begum Jan’s quilt. Also, she is perplexed by Begum Jan’s mood swings and odd behavior when Rabbo goes away to stay with her family for a few days.
The film’s co-writer Sonal Sehgal, who previously worked with Rahat Kazmi on ‘Mantostaan’, also essays the complex part of Begum Jaan. As part of her preparation, Sehgal cut herself off from the world as she wanted to feel the Begum’s pain and loneliness. Begum Jaan is a victim of her circumstances as well as a perpetrator of crime against the helpless young girl. During the shoot, Sehgal requested the entire cast and crew to leave her alone as she restricted herself to her hotel room at all times except during her takes. And it shows on the screen. Mir Sarwar is also superb in the role of the Nawab. To his credit, Kazmi succeeds in bringing the story of the same sex relationship between a noblewoman and her masseuse back to life in all its glory almost eight decades after it was first published. Here is a film that needs to be watched.
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